Professional wrestling,
produced like a network show.
Primestar Digital Network builds the broadcast around your show — multi-camera ringside coverage, commentary headsets, Ross Xpression graphics, entrance music, replay, captioning, and PPV/OTT delivery. Our principals operated a Florida wrestling promotion for years; we know the rhythm of a wrestling broadcast from bell to bell.
A decade in the ropes. A network-grade truck today.
The Primestar team previously owned and operated Enigma Pro Wrestling, producing live shows, pay-per-views, and weekly broadcasts across Florida. That run shaped how we cover wrestling today — camera placement that respects the work, commentary that gets the call right, and graphics that look like the big shows talent grew up watching.
Over the last ten years our production stack has been rebuilt around current broadcast standards. Ross Xpression for graphics, 4K multi-camera capture, multi-channel replay, redundant encoders for PPV delivery, and the same commentary and audio workflow you would find on a network sports show.
The full wrestling broadcast stack.
Every position on a wrestling show — from the corner camera to the truck — covered by a crew that has done it for a living.
Multi-camera coverage
Ringside hand-helds, hard-cam centerline, low-angle ringside slashes, and an arena jib. Iso records for post and a clean ISO of every camera into multi-channel replay.
Commentary & play-by-play
Broadcast headsets with cough boxes for play-by-play and color teams. Discrete IFB lines to the production truck. Commentary tables with their own production monitors and tally.
Ross Xpression graphics
Broadcast lower thirds, match info, bug, replay wipes, and full-screen promos run through Ross Xpression — the same graphics platform used by major sports networks.
Entrance themes & music
Assistance securing licensed entrance music for talent and stables, plus in-venue P.A. playback. Walk-outs cued and mixed live alongside the broadcast audio bed.
Multi-channel instant replay
Multi-channel replay with angle selection across every camera ISO. Slow-motion, full-speed, and operator-cued highlight packages for the broadcast and recap.
Backstage segments & pre-tapes
Backstage interview sets, pre-tape vignettes, video packages, and angle setups. Hype videos and recap segments produced and ready for show-day playback.
Multi-language broadcast
A second commentary position can deliver an alternate-language feed — Spanish or otherwise — as a separate stream or alternate audio track on the same broadcast.
Closed captioning
Live captioning for OTT distribution, in-house monitors, and accessibility compliance.
P.A. system management
RCF P.A. for the live audience, separated cleanly from the broadcast mix. Ring announcer mic, referee mic, and entrance music routed through a dedicated front-of-house position.
Indoor & outdoor production
Arenas, gymnasiums, ballrooms, fairgrounds, parking lots, and outdoor stadiums. Power distribution, weather contingencies, and cable routing scoped in pre-production.
PPV / OTT livestream delivery
Encode and deliver to FITE, TrillerTV, YouTube, Facebook, X, Twitch, or a custom RTMP destination. Redundant encoders and bonded uplinks on demand.
Local + cloud capture
Program record to local RAID with a parallel cloud backup. Isolated camera records delivered to your editor after the show for recap, social cuts, and the next hype video.
Premium positions, in the ring and around it.
Six purpose-built camera positions, every angle ISO-recorded for replay and post.
Ringside hand-held
Two operators working opposite corners for in-the-ropes coverage, mid-match reactions, and post-bell aftermath.
Hard-cam centerline
Wide master shot positioned on the entrance side, framing the ring and the entrance ramp in one move.
Low-angle slash
Locked low slashes at opposing corners for big-spot impact and signature pose framing.
Jib / crane
Arena jib for entrances, top-rope spots, and reveal moves above the ring.
Crowd & cutaway
A roaming cutaway camera for crowd reactions, sign cuts, and aisle drama outside the ring.
Backstage / gorilla
Coverage of the gorilla position, backstage interview sets, and post-match locker-room reactions.
PPV, OTT, and social — delivered the way networks do it.
Whether you sell the show on a PPV platform, push it to your own OTT app, or run a free social-media livestream to drive ticket sales for the next event, we engineer the delivery path end to end: encoders, bonded uplinks, redundant paths, and a clean program archive.
- Redundant encoders for paid PPV broadcasts
- Bonded cellular + fiber uplink on demand
- Simulcast to YouTube, Facebook, X, Twitch, FITE, TrillerTV, custom RTMP
- Local RAID record + parallel cloud backup
- Iso records delivered to your editor post-show
- Live closed captioning available on every stream
Bonded uplink
Cellular + venue fiber bonded for live PPV delivery with seamless failover.
Redundant signal path
Hot-spare encoder, hot-spare switcher feed, dual program record.
Cloud archive
Program and iso records mirrored to cloud during the show — your tapes are safe before the main event.
Alt-language audio
Second commentary position routed as alternate audio or separate stream.
Remote talent
Bring in remote color commentary, interview guests, or angle talent via low-latency video return.
Live captions
Live caption track for accessibility compliance and in-house monitors.
Promotions, touring shows, and rights holders.
From a single PPV event to a recurring weekly broadcast, the production scales to the show.
Independent promotions
Local and regional promotions launching a PPV, OTT series, or weekly stream.
Touring brands
National touring shows that need a consistent broadcast standard across markets.
Rights holders & networks
Networks or platforms acquiring wrestling content who need a turn-key production partner.
Special events
One-off supershows, anniversary cards, tournament events, and crossover productions.
Your show. Your call on the crew.
We work the way that fits your production. Hire us turn-key, rent the truck and run it with your own people, or split the difference. We are a resource, not a gatekeeper.
Full-service production
We bring the truck, the cameras, and a full broadcast crew — director, TD, graphics, replay, audio, camera ops, and commentary support. You hand us the run sheet and we deliver the show.
- Director, TD, A1, graphics, replay, EVS
- Camera operators and utilities
- Commentary headsets, IFB, cough boxes
- Distribution to your PPV / OTT destination
Truck + gear rental
Rent the production truck and the gear package. Your team produces the broadcast on your workflow. We hand over the keys, do a walkthrough, and stay reachable if you need us.
- Production truck, cameras, switcher, audio
- Ross Xpression graphics workstation
- Replay / EVS, intercom, IFB, cough boxes
- Pre-show technical walkthrough included
Hybrid
Bring your director and on-air talent. We fill the gaps — engineers, camera ops, graphics, replay, or just the truck and a TD. Build the crew that matches your budget and your standards.
- Pick which positions we cover
- Use your director, our engineering
- Add positions per show or per tour
- Scale up or down between events
Not sure which model fits? Tell us about the show and we will recommend the lightest engagement that gets the broadcast you want — including just renting you the truck.
Wrestling production, answered.
Common questions from promoters, bookers, and rights holders.
Do you produce independent wrestling shows for streaming?
Yes. We produce independent wrestling broadcasts for PPV platforms, OTT services, and social-media livestreams. Coverage includes multi-camera capture, commentary, on-air graphics, replay, and an isolated program record for post.
Can we rent the truck and use our own crew?
Yes. You can hire us turn-key, rent the production truck and gear and run it with your own crew, or split the work — for example, your director on our engineering. We are happy to be a resource without taking over your show.
Can you license or create custom entrance themes?
We do not produce custom themes, but we can assist in securing licensed entrance music for talent and stables and handle in-venue music playback during shows.
Do you support multi-language broadcasts?
Yes. We can deliver a second commentary feed for Spanish-language or other-language audiences, distributed as a separate stream or alternate audio track on the same broadcast.
Can you produce outdoor wrestling events?
Yes. We produce both indoor arena shows and outdoor stadium, fairground, and parking-lot events. Weather contingencies, power distribution, and cabling for outdoor environments are handled in pre-production.
What graphics platform do you use?
Ross Xpression for broadcast-quality lower thirds, bug, scorebug-style match info, replay wipes, and full-screen graphics. Custom themes are designed in pre-production and operated live by a graphics operator.
Do you provide closed captioning?
Yes. Live closed captioning is available for any wrestling broadcast — useful for accessibility compliance on OTT distribution and for venues that require captioning for in-house displays.
Bring us your card.
We will fit the production to it.
Tell us the venue, the show date, the roster, and how you want to run the broadcast — full-service with our crew, truck rental with your crew, or a hybrid. We will scope the right package and send a clean proposal.